Ryota is forced to make a life-changing decision, to choose between ‘nature’ and ‘nurture.’ Seeing Midori’s devotion to Keita even after learning his origin, and communicating with the rough yet caring family that has raised his natural son for the last six years, Ryota also starts to question himself: has he really been a ‘father’ all these years. Their 6-year-old son, Keita, is not ‘their’ son – the hospital gave them the wrong baby. On the other hand, I suspect the only reason it stands out is because most of the movie is so subtle and straightforward. Then one day, he and his wife, Midori, get an unexpected phone call from the hospital. It’s a well-orchestrated effect that hinges on obvious. Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Would you choose your natural son, or the son you believed was yours after spending 6 years together? Kore-eda Hirokazu, the globally acclaimed director of “Nobody Knows”, “Still Walking” and “I Wish”, returns to the big screen with another family – a family thrown into torment after a phone call from the hospital where the son was born… Ryota has earned everything he has by his hard work, and believes nothing can stop him from pursuing his perfect life as a winner. Observer reports that Wang has been tapped to direct an English-language remake of the beloved Hirokazu Kore-eda film Like Father, Like Son for Focus Features. Liverleaf (Eisuke Naito, 2019, Japan) Liverleaf is a Japanese teen drama about bullying, based on the manga series Misumisou by Rensuke Oshikiri.
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